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Spanish American fiction --- Parody in literature

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Combining work by critics from Latin America, the USA, and Europe, Latin American Science Fiction: Theory and Practice is the first anthology of articles in English to examine science fiction in all of Latin America, from Mexico and the Caribbean to Brazil and the Southern Cone. Using a variety of sophisticated theoretical approaches, the book explores not merely the development of a science fiction tradition in the region, but more importantly, the intricate ways in which this tradition has engaged with the most important cultural and literary debates of recent year.

Fiction --- Spanish-American literature --- anno 1900-1999 --- Science fiction, Latin American --- Latin American fiction --- Literature and society --- History and criticism. --- History --- Latin American fiction - 20th century - History and criticism. --- Literature and society - Latin America - History - 20th century --- English language --- Literature    --- Literature --- Literature, Modern—20th century --- Literature—History and criticism

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This book focuses on Cuban and Cuban-American crime fiction of the 1990s and early twenty-first century. Contemporary authors, writing in both English and Spanish, have created new hybrid forms of the crime fiction genre that explore the problematic cultural interaction between Cuba and the United States. Through an analysis of the work of writers such as Leonardo Padura Fuentes, José Latour and Carolina Garcia-Aguilera, the author investigates issues which include the oppression of the individual by the state within Cuba, constructions of masculinity and femininity, and the problems facing Cuban immigrants entering the United States. The author demonstrates how contemporary writers have been influenced both by the American hard-boiled crime fiction genre and by the legacy of the socialist detective fiction that was promoted in Cuba by the Castro regime in the 1970s. By focusing on works produced both within and outside of Cuba, the book taps into wider debates concerning the concept of post-nationality. The cultural fluidity that characterizes these new variants of crime fiction calls into question traditional boundaries between national literatures and cultures.

Detective and mystery stories, American --- Detective and mystery stories, Cuban --- American fiction --- Identity (Psychology) in literature --- Detective and mystery stories --- History and criticism --- Cuban American authors --- Padura, Leonardo --- Latour, José, --- Abella, Alex --- Garcia-Aguilera, Carolina --- Criticism and interpretation --- History and criticism. --- Criticism and interpretation. --- Identity (Psychology) in literature. --- Cuban detective stories --- Cuban mystery stories --- Cuban fiction --- American literature --- Cuban American authors&delete& --- Latour, José, --- Aguilera, Carolina Garcia --- -Criticism and interpretation. --- Detective and mystery stories, American - History and criticism --- Detective and mystery stories, Cuban - History and criticism --- American fiction - Cuban American authors - History and criticism --- Detective and mystery stories - History and criticism --- Padura, Leonardo - Criticism and interpretation --- Latour, José, - 1940- - Criticism and interpretation --- Abella, Alex - Criticism and interpretation --- Garcia-Aguilera, Carolina - Criticism and interpretation --- Latour, José, - 1940 --- -Abella, Alex